\nFanta Nacro \u2013 Burkina Faso<\/em>
\n\u2018Hang-Time\u2019<\/strong>
\nNgozi Onwhura \u2013 Nigeria<\/em>
\n\u2018One Evening in July\u2019<\/strong>
\nRaja Amari \u2013 Tunisia<\/em>
\n\u2018Raya\u2019<\/strong>
\nZulfah Otto-Sallies \u2013 South Africa<\/em>
\n\u2018Riches\u2019<\/strong>
\nIngrid Sinclair \u2013 Zimbabwe<\/em>
\n\u2018Uno\u2019s World\u2019<\/strong>
\nBridget Pickering \u2013 Namibia<\/em><\/p>\n
Mama Africa – The Directors<\/H4><\/p>\n
![\"\"](\"https:\/\/zimmedia.com\/wp-content\/uploads\/2012\/04\/fanta.jpg\" "\\"fanta\\"")
<\/p>\n
Fanta Nacro (Burkina Faso)<\/strong> Six Dynamic Tales Of Modern Africa By Women (Drama 6 x 26′) There is still prejudice and ignorance about African women. The stereotypes are seen the world over: the strong salt-of-the-earth mother, the manipulator, all too often the victim. But the truth is more subtle, more complex, more exciting. Under the surface of traditional forms, […]<\/p>\n","protected":false},"author":2,"featured_media":268,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-112","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films"],"yoast_head":"\n
\nA Close-up on Bintou\u00a0portrays the self-elevation – against all odds – of a downtrodden housewife into a dynamic businesswoman whose ultimate symbol of success is a motorbike.
\n
\n<\/span><\/p>\n![\"\"](\"https:\/\/zimmedia.com\/wp-content\/uploads\/2012\/04\/ngozi.jpg\" "\\"ngozi\\"")
\nNgozi Onwhura (Nigeria)<\/strong>
\nHang Time\u00a0centres its focus on a young, poor, but talented West African basketball player whose desperation to wear the right shoes to impress an American basketball scout ends in tragedy.
\n
\n<\/span><\/p>\n![\"\"](\"https:\/\/zimmedia.com\/wp-content\/uploads\/2012\/04\/rajat.jpg\" "\\"rajat\\"")
Raja Amari (Tunisia)<\/strong>
\nOne Evening in July\u00a0unfolds the battle between the society morals of a sixty year old bridal beautician and her empathy for a reluctant bride, who is plotting to murder her groom.<\/p>\n![\"\"](\"https:\/\/zimmedia.com\/wp-content\/uploads\/2012\/04\/zulfah.jpg\" "\\"zulfah\\"")
Zulfah Otto-Salies (South Africa)<\/strong>
\nRaya\u00a0leads the viewer through the a young mother’s recognition that not only can true change only be realised from within, but that the price for the release of the next generation must be paid by the present.<\/p>\n![\"\"](\"https:\/\/zimmedia.com\/wp-content\/uploads\/2012\/04\/ingrid.jpg\" "\\"ingrid\\"")
Ingrid Sinclair (Zimbabwe)<\/strong>
\nRiches\u00a0follows the flight of a mixed race journalist from apartheid South Africa to an isolated and unfriendly village in Botswana. The gesture of friendship from a member of the community inspires the journalist to write her first story in exile.<\/p>\n![\"\"](\"https:\/\/zimmedia.com\/wp-content\/uploads\/2012\/04\/bridget1.jpg\" "\\"bridget\\"")
Bridget Pickering (Namibia)<\/strong>
\nUno’s World\u00a0presents the disintegration of a young single mother’s escapist lifestyle when she is confronted with the inescapable responsibilities of childbirth.<\/p>\n
\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"